|| Om Namo Bhagavathey
Vasudevaya ||
Chapter – 122- The legend
of Surya dynasty -6
The celestial bird Garuda/Eagle
is the representation of Bhakti/devotion, Gnana/wisdom and Vairagya/dispassion,
its two wings and the tail is the symbol of Bhakti, Gnana, and Vairagya, it has
attained the status 0f the celestial vehicle of Lord Vishnu with its immense
power. These are the prime tools for the
attainment of the serenity of mind, even the bird Garuda has achieved the highest
state of spirituality, and therefore it is indisputable that the human
intellect also has the skill to achieve the same with the practice of devotion,
wisdom and dispassion. Unfortunately,
the human intellect get soaked in the material world, it easily gets attached to
the worldly bondage and matters eventually lose its serenity, it causes repetitions
of cycles of births and deaths. The
contemplation upon the absolute Bhramam
is possible through the sounds and appearance, thus the ‘idol worship’ has come
in to existence, the worship of the ‘formless’ one with the ‘form’ followed by
the recitation of sacred texts which represents ‘sounds’ has come into
existence. The friction of the two
objects produce ‘sounds’ and ‘ light’,
like the lightning and thunder
causes while the clouds rubbing each
other, thus it produces sound as well as the light. In this way, the human mind and intellect
undergoes various thought processes and emotions in the presence of the supreme soul.
Shuka Bhramam speaks “ Oh!
Rajan, the Bhramam is subtle in nature, it is the highest philosophy that cannot be
seen, it can be experienced with the constant contemplation upon the supreme Lord. It is beyond comparison or description, it has an all-pervading nature. It has no birth
or death, it is eternal. It has neither beginning
nor end, it has no specific form. This
highest philosophy is addressed as ‘Vasudeva’ by the intellectuals.”
Shuka Bhramam describes the
legend of the supreme Lord Rama that was described as Maharishi Vedavyasa in ‘Adhyathma
Ramayan’ in which Maharishi Vedavyasa narrates Lord Rama as the absolute
Bramham/not as the son of King Dhasharatha, Lakshmana as ‘Jeevathma’/souls, and
Goddess Sita as ‘Maya’/illusion/mind and
intellect/ who is the female force of the supreme Lord engages in various
amusements between the Jeevathma/soul and Paramathma/supreme soul. Upanishads repeatedly affirms the
Paramathma Thaththva of supreme Lord.
The evil character ‘Ravana’ was depicted as the demon with ten heads,
his real name was Dhashanan/Dhashamukha who had a wide perspective, had the
awareness of happenings in ten directions, and was completely soaked in worldly
matters from all directions. Once, he
prepared to lift the Mount Kailash, his hands got trampled at the weight of Mount Kailash, with
the slightest force of the thumb applied by Lord Mahadeva, his two hands crushed
under the feet of Mahadeva. He produced a loud shriek followed with continuous cries, thus he was called ‘Ravana’ by Lord
Mahadeva. ‘Ravana’ represents utter
selfishness, and immature seeks pleasure in worldly matters. Maharishi Vedavyasa beautifully depicts the conflict
between the unruly mind/Ravana with the serene mind/Rama as the battle between ‘Rama
and Ravana’. Ultimately, Rama wins the
battle against Ravana and regains Sita/pure intellect and mind.